Leipzig 1747: In a celebrationhour, the Thomas Cantor Johann Sebastian Bach is admitted to the "Societät der musikalischen Wissenschaften". Honoraryguest is George Frederick Handel, who has travelled from London especially for the occasion, after which he invites the Kollegen to a meal. However, what initially turns out to be a kollegial thoughtnausexchange with fixed rolesplay - here the superstar and pleasuremensch, there the modestlittle cantor - soon turns into an unhoped-for duel. Two titans of their art face off against each other, as similar as they are alien, and their increasingly violent clashes makedene the little cantor.x>Ampersandshy;dersetzung schimmern desires and longings, also secret fears and complexes come through, which all clichélungen of these two musicers swirl throughander.
The starting point of the comedy is pure fiction: The personalencounterning between the esteemed composeristen and verdienten Thomas Cantor Bach and the most famous and highest-paid musician of his time, George Frideric Handel, has - despite numerousicher, unbestreitbarer parallelen of resumes - never happened in real lifefunden!
Paul Barz's comedy makes an impossible encounterpossible: The heated meeting of two centurydertgenies as a witty, funny utopia!